Bob Mondello
Bob Mondello, who jokes that he was a jinx at the beginning of his critical career — hired to write for every small paper that ever folded in Washington, just as it was about to collapse — saw that jinx broken in 1984 when he came to NPR.
For more than three decades, Mondello has reviewed movies and covered the arts for NPR, seeing at least 300 films annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.
Mondello has also written about the arts for USA Today, The Washington Post, Preservation Magazine, and other publications, and has appeared as an arts commentator on commercial and public television stations. He spent 25 years reviewing live theater for Washington City Paper, DC's leading alternative weekly, and to this day, he remains enamored of the stage.
Before becoming a professional critic, Mondello learned the ins and outs of the film industry by heading the public relations department for a chain of movie theaters, and he reveled in film history as advertising director for an independent repertory theater.
Asked what NPR pieces he's proudest of, he points to an April Fool's prank in which he invented a remake of Citizen Kane, commentaries on silent films — a bit of a trick on radio — and cultural features he's produced from Argentina, where he and his husband have a second home.
An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says, "as most people see in a lifetime."
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Oscar, Emmy, and Tony-winning actress Maggie Smith played everything from wistful ingenues in Shakespeare to Harry Potter's Prof. McGonagall and the Dowager Countess in Downton Abbey.
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Ian McKellen plays a brutal theater critic in a new film. That sent our own film critic back into the archives, musing about portrayals of critics on screen.
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Baldwin was arguably the most evocative Black writer of his generation. But if you know him from film, it is for just one movie, If Beale Street Could Talk, released more than 30 years after his death.
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The Library of Congress has acquired the papers of Leslie Bricusse, the songwriter who gave us "Pure Imagination," "What Kind of Fool Am I?," "Goldfinger" and "Talk to the Animals."
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The Folger Shakespeare Library in Washington, D.C., is emerging from a four-year metamorphosis. Eighty-two copies of Shakespeare’s “First Folio” will be together on public display for the first time.
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After an already-slow spring, movie theater attendance over Memorial Day Weekend was the lowest in decades, apart from 2020.
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The Motion Picture Academy hopes that more popular films, an earlier showtime, and increased diversity among nominees will lead to higher viewership.
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The Color Purple is now the second-biggest Christmas Day opening in history — $18 million on day one of its release.
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Hollywood has churned out films that depict labor organizers as communists, and labor bosses as gangsters. So it should come as no surprise that real-life negotiations with the studios are so tricky.
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Broadway-legend-in-training Stephen Sondheim was a college sophomore in 1948 when his musical Phinney's Rainbow was produced — and recorded — at Williams College in Massachusetts.