Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career — hired to write for every small paper that ever folded in Washington, just as it was about to collapse — saw that jinx broken in 1984 when he came to NPR.

For more than three decades, Mondello has reviewed movies and covered the arts for NPR, seeing at least 300 films annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for USA Today, The Washington Post, Preservation Magazine, and other publications, and has appeared as an arts commentator on commercial and public television stations. He spent 25 years reviewing live theater for Washington City Paper, DC's leading alternative weekly, and to this day, he remains enamored of the stage.

Before becoming a professional critic, Mondello learned the ins and outs of the film industry by heading the public relations department for a chain of movie theaters, and he reveled in film history as advertising director for an independent repertory theater.

Asked what NPR pieces he's proudest of, he points to an April Fool's prank in which he invented a remake of Citizen Kane, commentaries on silent films — a bit of a trick on radio — and cultural features he's produced from Argentina, where he and his husband have a second home.

An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says, "as most people see in a lifetime."

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More than 400 movies in ten days - that is the Toronto International Film Festival. This year, the most talked-about films include the Mr. Rogers movie "A Beautiful Day In The Neighborhood"...

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As a college sophomore, I knew exactly what the Apollo astronauts would find when they arrived on the moon: a desolate rockscape, craters shining white in reflected earthglow — and a big, black monolith.

Stanley Kubrick showed us all of that in the top-grossing movie of 1968 — 2001: A Space Odyssey — a full 15 months before Neil Armstrong took his giant leap for mankind. And even Kubrick was late to the party: Moviegoers had been heading moonward from pretty much the moment there were filmmakers to lead the way.

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The title of the new film "The Fall Of The American Empire" makes it sound very grand. Critic Bob Mondello says it's actually an intimate crime comedy with an intellectual twist.

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"Avengers: Endgame" has given Hollywood's summer movie season a very healthy head start, but maybe you're looking for something different. Or maybe you just can't get enough of superheroes and their super-issues. Our critic Bob Mondello has this summer preview.

BOB MONDELLO, BYLINE: What's it been, six weeks since "Endgame"? And already there's another Marvel movie. But in fairness, its teen superhero is angling for a vacation far from home...

(SOUNDBITE OF FILM, "SPIDER-MAN: FAR FROM HOME")

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In this week of rival State of the Union messages, two movies about communities in conflict have opened. Critic Bob Mondello says for films that come to, essentially, the same conclusion, they could hardly be more different.

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Five-time Oscar nominee Albert Finney has died. He leapt to international fame in the period comedy "Tom Jones" and went on to play characters as varied as Daddy Warbucks, Winston Churchill and Pope John Paul II. Bob Mondello offers a remembrance.

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An Oscar-winning director from Iran, stars from Spain and Argentina - critic Bob Mondello says the new movie "Everybody Knows" marries far-flung talent with a story about a wedding gone wrong.

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Carol Channing, Broadway's original Dolly in "Hello, Dolly!", died early this morning at 97. She was a performer of many gifts, as critic Bob Mondello remembers.

BOB MONDELLO, BYLINE: She had a wide-eyed innocence...

Two films open this week with titles that make them sound a lot sexier than they are: On the Basis of Sex and Vice.

They're both biopics — Sex about a liberal Supreme Court justice, Vice a conservative vice president. But they differ in ways that go far deeper than politics.

On The Basis Of Sex

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It is sometimes said that historians reveal as much about their own era as they do about the eras they scrutinize. Critic Bob Mondello says that is also true of historical movies, including the new costume epic "Mary Queen Of Scots."

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