Bilal Qureshi
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Johan Grimonprez's film charts both the hopes and the tragedies of Africa's freedom movements in the shadow of the Cold War, as the Soviet Union and the U.S. jockey for influence in the "new world."
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After two years of pandemic closures, audiences are back at the Oregon Shakespeare Festival, to find a season of diverse plays. But for many, change has come too soon.
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The first fully reopened edition of TIFF concludes this weekend. But with a film industry still reeling from box office declines and changing audience habits, the award season remains in flux.
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Kehinde Wiley's sculpture, "Rumors of War," was unveiled at its permanent home outside the Virginia Museum of Fine Arts in Richmond on Tuesday.
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Loro is the latest from Italian director Paolo Sorrentino and tells the story of businessman and former prime minister Silvio Berlusconi's last comeback.
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Non-Fiction is being billed as a comedy of adultery in the publishing industry. But it poses some serious questions about the effects of the digital age on all of us.
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Colombia's submission to the Oscars this year addresses the beginnings of the drug trade in rural Columbia — and how it shattered the traditions and families of the indigenous Wayúu people.
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Despite its origins in the popular music of the North, the song "Dixie" became the unofficial anthem of the Confederacy during the Civil War and still endures as a divisive symbol in modern America.
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"When I touch the piano, it becomes an African instrument," says the pianist and composer, who has been bridging cultures through music for some 60 years.
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The great American jazz pianist Randy Weston died this weekend. Weston helped trace the links between African music and jazz.