Community Calendar

The School of Theatre at Florida State University presents "Continuity" by Bess Wohl.

Playing February 26 - March 7th at the Lab Theatre.

Racing against the dying light, a rookie director and quirky cast scramble to shoot another scene for their “natural catastrophe” blockbuster, but their egos and personal dramas keep the cameras from rolling. This darkly hilarious “play in six takes” fuses Hollywood, science, and satire into a striking story where the real disaster is us. Art can’t save us, but it can certainly “roast” us alive.

Performance Dates
Thursday, February 25th: 8:00 PM (Preview)
Friday, February 26th: 8:00 PM (Opening)
Saturday, February 27th: 8:00 PM
Sunday, February 28th: 2:00 PM
Wednesday, March 3rd: 8:00 PM
Thursday, March 4th: 8:00 PM
Friday, March 5th: 8:00 PM
Saturday, March 6th: 8:00 PM
Sunday, March 7th: 2:00 PM

The FSU Museum of Fine Arts invites you to "Floating Metal: UNDERcurrents In My Father's Garden," on view from August 24, 2026 - March 13, 2027.

“Floating Metal” brings together sculpture, image, video, performance, and sound to honor the artistic legacy of Ed Love (1936-1999) and the intergenerational creative practice of choreographer and performer nia love (b. 1963). The exhibition extends nia love’s long-term serial projects g1(host) and UNDERcurrents, which explore the enduring histories of the Middle Passage and transatlantic slavery. This newest iteration continues to invite audiences to probe the seam between catastrophic history and everyday memory, pivoting on the elemental medium of water.

The exhibition also marks the first museum presentation of Ed Love’s Beloved series (1988) with metal sculptures commemorating black historical figures, completed shortly before his untimely passing in 1999. As a representative yet under-recognized artist of the Black Arts generation, Ed Love is known for welding discarded metal salvaged from scrap yards into powerful totems of global black consciousness. Likewise driven by the social force and weight of blackness, nia love’s multi-modal movement practice aims to breach the propriety of “dance,” refashioning it as gesture–the embodied memory of movement, geographies, and scales of time gathered and shared through black forms of life and culture.

The presentation of Floating Metal: UNDERcurrents In My Father’s Garden by nia love was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Foundation and the Mellon Foundation. Additional support comes from FSU’s Council on Research + Creativity (CRC).

Hours subject to change due to holidays and University closures.

The FSU Museum of Fine Arts invites you to "Floating Metal: UNDERcurrents In My Father's Garden," on view from August 24, 2026 - March 13, 2027.

“Floating Metal” brings together sculpture, image, video, performance, and sound to honor the artistic legacy of Ed Love (1936-1999) and the intergenerational creative practice of choreographer and performer nia love (b. 1963). The exhibition extends nia love’s long-term serial projects g1(host) and UNDERcurrents, which explore the enduring histories of the Middle Passage and transatlantic slavery. This newest iteration continues to invite audiences to probe the seam between catastrophic history and everyday memory, pivoting on the elemental medium of water.

The exhibition also marks the first museum presentation of Ed Love’s Beloved series (1988) with metal sculptures commemorating black historical figures, completed shortly before his untimely passing in 1999. As a representative yet under-recognized artist of the Black Arts generation, Ed Love is known for welding discarded metal salvaged from scrap yards into powerful totems of global black consciousness. Likewise driven by the social force and weight of blackness, nia love’s multi-modal movement practice aims to breach the propriety of “dance,” refashioning it as gesture–the embodied memory of movement, geographies, and scales of time gathered and shared through black forms of life and culture.

The presentation of Floating Metal: UNDERcurrents In My Father’s Garden by nia love was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Foundation and the Mellon Foundation. Additional support comes from FSU’s Council on Research + Creativity (CRC).

Hours subject to change due to holidays and University closures.

Jefferson Arts Gallery 575 W Washington St Monticello, FL 32344
Invites you to our Summer Member Show “A Slice of the Good Life”
Please join us for refreshments From noon until 4 pm on Saturday June 6, 2026

The gallery is filled with Summer Fun and delightful, original creations by our Members

The exhibit will continue thru August 29, 2026
Regular Gallery Hours are Wednesdays and Saturdays from 10am until 2pm

For additional times call (850) 997-3311 or
Email: jeffersonartsgallery@gmail.com
www.jeffersonartsgallery.com
Facebook: Jeffersonartsgallery JAG or Jefferson Arts Gallery

The FSU Museum of Fine Arts invites you to "Floating Metal: UNDERcurrents In My Father's Garden," on view from August 24, 2026 - March 13, 2027.

“Floating Metal” brings together sculpture, image, video, performance, and sound to honor the artistic legacy of Ed Love (1936-1999) and the intergenerational creative practice of choreographer and performer nia love (b. 1963). The exhibition extends nia love’s long-term serial projects g1(host) and UNDERcurrents, which explore the enduring histories of the Middle Passage and transatlantic slavery. This newest iteration continues to invite audiences to probe the seam between catastrophic history and everyday memory, pivoting on the elemental medium of water.

The exhibition also marks the first museum presentation of Ed Love’s Beloved series (1988) with metal sculptures commemorating black historical figures, completed shortly before his untimely passing in 1999. As a representative yet under-recognized artist of the Black Arts generation, Ed Love is known for welding discarded metal salvaged from scrap yards into powerful totems of global black consciousness. Likewise driven by the social force and weight of blackness, nia love’s multi-modal movement practice aims to breach the propriety of “dance,” refashioning it as gesture–the embodied memory of movement, geographies, and scales of time gathered and shared through black forms of life and culture.

The presentation of Floating Metal: UNDERcurrents In My Father’s Garden by nia love was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Foundation and the Mellon Foundation. Additional support comes from FSU’s Council on Research + Creativity (CRC).

Hours subject to change due to holidays and University closures.

The FSU Museum of Fine Arts invites you to "Floating Metal: UNDERcurrents In My Father's Garden," on view from August 24, 2026 - March 13, 2027.

“Floating Metal” brings together sculpture, image, video, performance, and sound to honor the artistic legacy of Ed Love (1936-1999) and the intergenerational creative practice of choreographer and performer nia love (b. 1963). The exhibition extends nia love’s long-term serial projects g1(host) and UNDERcurrents, which explore the enduring histories of the Middle Passage and transatlantic slavery. This newest iteration continues to invite audiences to probe the seam between catastrophic history and everyday memory, pivoting on the elemental medium of water.

The exhibition also marks the first museum presentation of Ed Love’s Beloved series (1988) with metal sculptures commemorating black historical figures, completed shortly before his untimely passing in 1999. As a representative yet under-recognized artist of the Black Arts generation, Ed Love is known for welding discarded metal salvaged from scrap yards into powerful totems of global black consciousness. Likewise driven by the social force and weight of blackness, nia love’s multi-modal movement practice aims to breach the propriety of “dance,” refashioning it as gesture–the embodied memory of movement, geographies, and scales of time gathered and shared through black forms of life and culture.

The presentation of Floating Metal: UNDERcurrents In My Father’s Garden by nia love was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Foundation and the Mellon Foundation. Additional support comes from FSU’s Council on Research + Creativity (CRC).

Hours subject to change due to holidays and University closures.

The FSU Museum of Fine Arts invites you to "Floating Metal: UNDERcurrents In My Father's Garden," on view from August 24, 2026 - March 13, 2027.

“Floating Metal” brings together sculpture, image, video, performance, and sound to honor the artistic legacy of Ed Love (1936-1999) and the intergenerational creative practice of choreographer and performer nia love (b. 1963). The exhibition extends nia love’s long-term serial projects g1(host) and UNDERcurrents, which explore the enduring histories of the Middle Passage and transatlantic slavery. This newest iteration continues to invite audiences to probe the seam between catastrophic history and everyday memory, pivoting on the elemental medium of water.

The exhibition also marks the first museum presentation of Ed Love’s Beloved series (1988) with metal sculptures commemorating black historical figures, completed shortly before his untimely passing in 1999. As a representative yet under-recognized artist of the Black Arts generation, Ed Love is known for welding discarded metal salvaged from scrap yards into powerful totems of global black consciousness. Likewise driven by the social force and weight of blackness, nia love’s multi-modal movement practice aims to breach the propriety of “dance,” refashioning it as gesture–the embodied memory of movement, geographies, and scales of time gathered and shared through black forms of life and culture.

The presentation of Floating Metal: UNDERcurrents In My Father’s Garden by nia love was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Foundation and the Mellon Foundation. Additional support comes from FSU’s Council on Research + Creativity (CRC).

Hours subject to change due to holidays and University closures.

Jefferson Arts Gallery 575 W Washington St Monticello, FL 32344
Invites you to our Summer Member Show “A Slice of the Good Life”
Please join us for refreshments From noon until 4 pm on Saturday June 6, 2026

The gallery is filled with Summer Fun and delightful, original creations by our Members

The exhibit will continue thru August 29, 2026
Regular Gallery Hours are Wednesdays and Saturdays from 10am until 2pm

For additional times call (850) 997-3311 or
Email: jeffersonartsgallery@gmail.com
www.jeffersonartsgallery.com
Facebook: Jeffersonartsgallery JAG or Jefferson Arts Gallery

The FSU Museum of Fine Arts invites you to "Floating Metal: UNDERcurrents In My Father's Garden," on view from August 24, 2026 - March 13, 2027.

“Floating Metal” brings together sculpture, image, video, performance, and sound to honor the artistic legacy of Ed Love (1936-1999) and the intergenerational creative practice of choreographer and performer nia love (b. 1963). The exhibition extends nia love’s long-term serial projects g1(host) and UNDERcurrents, which explore the enduring histories of the Middle Passage and transatlantic slavery. This newest iteration continues to invite audiences to probe the seam between catastrophic history and everyday memory, pivoting on the elemental medium of water.

The exhibition also marks the first museum presentation of Ed Love’s Beloved series (1988) with metal sculptures commemorating black historical figures, completed shortly before his untimely passing in 1999. As a representative yet under-recognized artist of the Black Arts generation, Ed Love is known for welding discarded metal salvaged from scrap yards into powerful totems of global black consciousness. Likewise driven by the social force and weight of blackness, nia love’s multi-modal movement practice aims to breach the propriety of “dance,” refashioning it as gesture–the embodied memory of movement, geographies, and scales of time gathered and shared through black forms of life and culture.

The presentation of Floating Metal: UNDERcurrents In My Father’s Garden by nia love was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Foundation and the Mellon Foundation. Additional support comes from FSU’s Council on Research + Creativity (CRC).

Hours subject to change due to holidays and University closures.

Discover a remarkable selection of paintings, drawings, and sculptures by pioneering American women artists in this Major Exhibition from the Huntsville Museum of Art – Sellars Collection. The exhibition highlights the achievements of women artists who painted and sculpted during the mid-19th to mid-20th centuries, offering a captivating glimpse into a pivotal period in American art history.

Image: Agnes Millen Richmond, A Young Friend, 1922, oil on canvas