Nov 10 Tuesday
Art and our EnvironmentSeptember 25 – December 12, 2026Zoe Golloway Gallery
This exhibition brings together the work of five distinguished Florida artists,Beth Appleton, Mark Messersmith, Bob Bischoff, Jesse Aaron, and Bessie Harvey, whose work illuminates our evolving relationship with the natural world. Beth Appleton (b. 1949) creates intricate cut-paper assemblages shaped by a lifetime of observing Florida’s shifting landscapes. Mark Messersmith (b. 1955) is known for his vibrant, layered paintings that merge wildlife, lush vegetation, and human impact into dramatic narratives, often extending beyond the canvas with sculptural frames. Bob Bischoff (1950-2023) became known for creating large, public stained-glass installations with his wife Jo Ann Bischoff. Together, these artists’ work forms a compelling exploration of the beauty, fragility, and resilience of the natural world, inviting viewers to reflect on the connections between art, place, and the environment.
Image: Beth Appleton, Hurricane Charley, paper, watercolor paint, 2006, 28 x 22 in
America’s Everglades: Through the Lens of Clyde ButcherSeptember 25 – December 12, 2026Sara May Love Gallery
This exhibition presents the America’s Everglades, the most acclaimed body of work by Clyde Butcher, and celebrates the life and legacy of Harry S. Truman, the visionary who dedicated the Everglades National Park and expanded our National Parks system.
Clyde Butcher is one of America’s foremost landscape photographers and a leading voice for environmental conservation in Florida. His accolades include the National Medal of Arts in 2022, the highest honor given to artists and arts patrons by the United States government, and Florida Artists Hall of Fame recognition in 1998, the highest honor given to an artist by the State of Florida.
Through his monumental images of the Florida Everglades, Butcher captures the quiet beauty, mystery, and resilience of one of the nation’s most treasured natural landscapes. His photographs reveal the delicate balance of life within this vast wilderness, inspiring viewers to reflect on the importance of preservation and the enduring relationship between humanity and nature.
Support for this program is provided by the National Endowment for the Arts, celebrating NEA America250: Arts Projects Honoring the National Garden of American Heroes.
Funding for this program was provided through a grant from the Florida Humanities with funds from The Mosaic Company. Any views, findings, conclusions or recommendations expressed in this (publication) (program) (exhibition) (website) do not necessarily represent those of Florida Humanities or The Mosaic Company.
Joel ThorntonSeptember 12 – December 12, 2026Munroe Family Community Gallery
Joel Thornton, a Tallahassee-based artist, brings together a vibrant body of work shaped by many years of dedicated practice and ongoing artistic study. Born in Fajardo, Puerto Rico, Thornton discovered his love of painting in his youth, guided by his mother, who inspired him to create and cultivated his passion for the arts. After setting aside painting to build a career and raise a family, Thornton rediscovered his passion for painting. His paintings span portraits of both iconic figures and people from his everyday life, animals, and vibrant landscapes, all unified by his expressive use of color, attention to form, and deep interest in storytelling.
Image: Joel Thornton, Butch Cassidy and the Sundance Kid, 2022, oil, 20 x 24 inches
We invite you to the exhibition “Friendly Arbitration: Honoré Daumier on Crime, Justice, and Punishment” on view at MoFA until Saturday, December 12. Friendly Arbitration examines Honoré Daumier’s (1808–1879) subversive use of lithography and wood engraving as tools for artistic innovation and social critique in nineteenth-century France. Bringing together original prints from his popular series on lawyers, the legal system, and crime and punishment, the exhibition explores how his satirical caricatures challenged judicial authority, exposed social inequities, and helped reshape the fields of art and journalism.This exhibition is made possible through the generous support of Jay Steele & Matthew Wright.
The FSU Museum of Fine Arts invites you to "Floating Metal: UNDERcurrents In My Father's Garden," on view from August 24, 2026 - March 13, 2027.
“Floating Metal” brings together sculpture, image, video, performance, and sound to honor the artistic legacy of Ed Love (1936-1999) and the intergenerational creative practice of choreographer and performer nia love (b. 1963). The exhibition extends nia love’s long-term serial projects g1(host) and UNDERcurrents, which explore the enduring histories of the Middle Passage and transatlantic slavery. This newest iteration continues to invite audiences to probe the seam between catastrophic history and everyday memory, pivoting on the elemental medium of water.
The exhibition also marks the first museum presentation of Ed Love’s Beloved series (1988) with metal sculptures commemorating black historical figures, completed shortly before his untimely passing in 1999. As a representative yet under-recognized artist of the Black Arts generation, Ed Love is known for welding discarded metal salvaged from scrap yards into powerful totems of global black consciousness. Likewise driven by the social force and weight of blackness, nia love’s multi-modal movement practice aims to breach the propriety of “dance,” refashioning it as gesture–the embodied memory of movement, geographies, and scales of time gathered and shared through black forms of life and culture.
The presentation of Floating Metal: UNDERcurrents In My Father’s Garden by nia love was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Foundation and the Mellon Foundation. Additional support comes from FSU’s Council on Research + Creativity (CRC).
Hours subject to change due to holidays and University closures.
The Florida A&M University Foster-Tanner Fine Arts Gallery invites you to experience our new art exhibition, "Marilyn Proctor-Givens: Exploration of a Process." This exhibition will feature a collection of works by celebrated artist and art educator Marilyn Proctor-Givens. Proctor-Givens’ featured artwork spans four decades and showcases her exploration of media and processes, including graphic design, photography, glass, wood, fabric, leather, filament, and ceramics. Her ceramic forms use both traditional and Raku firing techniques, bringing together traditional ceramic forms like vessels and platters and her trademark sculptural forms, including distinctive haloed masks and jigsaw puzzle pieces embossed forms. Many of Proctor-Givens’ works draw upon family, culture, religion, and travel. Through her hand, many techniques, materials, and processes are presented, revealing the connections made with people, places and things.
Camp Gordon Johnston WWII Museum in Carrabelle is excited to announce a special exhibit honoring Native American Servicemen, opening Tuesday, November 3 and on display until Saturday, November 28. November is National Native American Heritage Month, and the museum salutes their service and sacrifice. The museum is open Tuesday through Saturday, 11 am to 5 pm ET with free admission.
“During World War I and World War II, hundreds of American Indians joined the United States armed forces and used words from their traditional tribal languages as weapons. The United States military asked them to develop secret battle communications based on their languages—and America’s enemies never deciphered the coded messages they sent. “Code Talkers,” as they came to be known after World War II, are twentieth-century American Indian warriors and heroes who significantly aided the victories of the United States and its allies.
The Code Talkers’ role in war required intelligence and bravery. They developed and memorized a special code. They endured some of the most dangerous battles and remained calm under fire. They served proudly, with honor and distinction. Their actions proved critical in several important campaigns, and they are credited with saving thousands of American and allies’ lives.” (Source: The National Museum of the American Indian).
Visitors are invited to learn about the Native American Servicemembers, including members of the Choctaw, Navajo, Cherokee, Pima, Comanche and other nations that served their country in World War II. Guests can discover the story of the Code Talkers, who used their unbreakable code based on their native tongues to help defeat the enemy and the stories of the seven Native American Medal of Honor Recipients from WWII.
Camp Gordon Johnston WWII Museum is located in Carrabelle, directly across from Carrabelle Public Beach Park at 1873 Hwy 98 West. For more information, visit CampGordonJohnston.com or contact (850) 697-8575 or museum@campgordonjohnston.com. Funded in part by the Franklin County Tourist Development Council.
Apalachicola Area Historical Society Presents
Apalachicola, FL (October 28, 2026) – The Apalachicola Area Historical Society (AAHS) will be hosting a special program, “WAR Comes to Apalachicola! The Sinking & Rescue of the Empire Mica,” featuring Grayson Shepard on Tuesday, November 10, from 4:00 to 5:00 p.m. ET at the Raney Museum Carriage House, 126 Market Street in Apalachicola. The program is open to the public, although seating is limited. There is no charge and donations are warmly welcomed.
On June 29, 1942, the British tanker Empire Mica, carrying fuel for the Royal Air Force during World War II, was torpedoed by a German U-boat approximately 21 miles south of Cape San Blas. In response, Apalachicola fishing boats rushed to the scene and rescued the survivors, demonstrating the courage and compassion of the local fishing fleet during wartime. Grayson Shepard’s presentation will explore the sinking, the dramatic rescue, and current efforts to memorialize the valiant actions of Apalachicola’s fishing fleet.
An offshore charter captain and avid scuba diver in Franklin County since 1999, Shepard has a longstanding interest in military history and the Empire Mica story. He has visited the wreck site dozens of times and helped secure its designation as an underwater archaeological site on the Florida Panhandle Shipwreck Trail.
This program is part of a popular series by the Apalachicola Area Historical Society. AAHS is a member supported 501(c)3 dedicated to advancing understanding of the cultural history of Apalachicola and its surroundings. Funded in part by the Franklin County Tourist Development Council. For details, email AAHS.Raney@gmail.com, leave a message at (850) 653-1700, or go to www.apalachicolahistoricalsociety.org.
Nov 11 Wednesday