Community Calendar

The FSU Museum of Fine Arts invites you to "Floating Metal: UNDERcurrents In My Father's Garden," on view from August 24, 2026 - March 13, 2027.

“Floating Metal” brings together sculpture, image, video, performance, and sound to honor the artistic legacy of Ed Love (1936-1999) and the intergenerational creative practice of choreographer and performer nia love (b. 1963). The exhibition extends nia love’s long-term serial projects g1(host) and UNDERcurrents, which explore the enduring histories of the Middle Passage and transatlantic slavery. This newest iteration continues to invite audiences to probe the seam between catastrophic history and everyday memory, pivoting on the elemental medium of water.

The exhibition also marks the first museum presentation of Ed Love’s Beloved series (1988) with metal sculptures commemorating black historical figures, completed shortly before his untimely passing in 1999. As a representative yet under-recognized artist of the Black Arts generation, Ed Love is known for welding discarded metal salvaged from scrap yards into powerful totems of global black consciousness. Likewise driven by the social force and weight of blackness, nia love’s multi-modal movement practice aims to breach the propriety of “dance,” refashioning it as gesture–the embodied memory of movement, geographies, and scales of time gathered and shared through black forms of life and culture.

The presentation of Floating Metal: UNDERcurrents In My Father’s Garden by nia love was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Foundation and the Mellon Foundation. Additional support comes from FSU’s Council on Research + Creativity (CRC).

Hours subject to change due to holidays and University closures.

The Florida A&M University Foster-Tanner Fine Arts Gallery invites you to experience our new art exhibition, "Marilyn Proctor-Givens: Exploration of a Process." This exhibition will feature a collection of works by celebrated artist and art educator Marilyn Proctor-Givens. Proctor-Givens’ featured artwork spans four decades and showcases her exploration of media and processes, including graphic design, photography, glass, wood, fabric, leather, filament, and ceramics. Her ceramic forms use both traditional and Raku firing techniques, bringing together traditional ceramic forms like vessels and platters and her trademark sculptural forms, including distinctive haloed masks and jigsaw puzzle pieces embossed forms. Many of Proctor-Givens’ works draw upon family, culture, religion, and travel. Through her hand, many techniques, materials, and processes are presented, revealing the connections made with people, places and things.

Live at The Stacks — Sunday, September 20 | Noon–2pm

Join us for a family-friendly celebration at The Stacks, one of Tallahassee's most Instagram-worthy public art destinations! Located at SoMo Walls along South Monroe Street, this vibrant outdoor gallery features eight large-scale murals painted on stacked shipping containers — Leon County's largest outdoor public art installation. Enjoy live music, browse local vendors, and take in the colorful murals, each telling its own story. Free, accessible, and fun for the whole family. Come see why The Stacks is Tallahassee's newest must-visit landmark!

Joel Thornton
September 12 – December 12, 2026
Munroe Family Community Gallery

Joel Thornton, a Tallahassee-based artist, brings together a vibrant body of work shaped by many years of dedicated practice and ongoing artistic study. Born in Fajardo, Puerto Rico, Thornton discovered his love of painting in his youth, guided by his mother, who inspired him to create and cultivated his passion for the arts. After setting aside painting to build a career and raise a family, Thornton rediscovered his passion for painting. His paintings span portraits of both iconic figures and people from his everyday life, animals, and vibrant landscapes, all unified by his expressive use of color, attention to form, and deep interest in storytelling.

Image: Joel Thornton, Butch Cassidy and the Sundance Kid, 2022, oil, 20 x 24 inches

We invite you to the exhibition “Friendly Arbitration: Honoré Daumier on Crime, Justice, and Punishment” on view at MoFA until Saturday, December 12. Friendly Arbitration examines Honoré Daumier’s (1808–1879) subversive use of lithography and wood engraving as tools for artistic innovation and social critique in nineteenth-century France. Bringing together original prints from his popular series on lawyers, the legal system, and crime and punishment, the exhibition explores how his satirical caricatures challenged judicial authority, exposed social inequities, and helped reshape the fields of art and journalism.
This exhibition is made possible through the generous support of Jay Steele & Matthew Wright.

The FSU Museum of Fine Arts invites you to "Floating Metal: UNDERcurrents In My Father's Garden," on view from August 24, 2026 - March 13, 2027.

“Floating Metal” brings together sculpture, image, video, performance, and sound to honor the artistic legacy of Ed Love (1936-1999) and the intergenerational creative practice of choreographer and performer nia love (b. 1963). The exhibition extends nia love’s long-term serial projects g1(host) and UNDERcurrents, which explore the enduring histories of the Middle Passage and transatlantic slavery. This newest iteration continues to invite audiences to probe the seam between catastrophic history and everyday memory, pivoting on the elemental medium of water.

The exhibition also marks the first museum presentation of Ed Love’s Beloved series (1988) with metal sculptures commemorating black historical figures, completed shortly before his untimely passing in 1999. As a representative yet under-recognized artist of the Black Arts generation, Ed Love is known for welding discarded metal salvaged from scrap yards into powerful totems of global black consciousness. Likewise driven by the social force and weight of blackness, nia love’s multi-modal movement practice aims to breach the propriety of “dance,” refashioning it as gesture–the embodied memory of movement, geographies, and scales of time gathered and shared through black forms of life and culture.

The presentation of Floating Metal: UNDERcurrents In My Father’s Garden by nia love was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Foundation and the Mellon Foundation. Additional support comes from FSU’s Council on Research + Creativity (CRC).

Hours subject to change due to holidays and University closures.

The Florida A&M University Foster-Tanner Fine Arts Gallery invites you to experience our new art exhibition, "Marilyn Proctor-Givens: Exploration of a Process." This exhibition will feature a collection of works by celebrated artist and art educator Marilyn Proctor-Givens. Proctor-Givens’ featured artwork spans four decades and showcases her exploration of media and processes, including graphic design, photography, glass, wood, fabric, leather, filament, and ceramics. Her ceramic forms use both traditional and Raku firing techniques, bringing together traditional ceramic forms like vessels and platters and her trademark sculptural forms, including distinctive haloed masks and jigsaw puzzle pieces embossed forms. Many of Proctor-Givens’ works draw upon family, culture, religion, and travel. Through her hand, many techniques, materials, and processes are presented, revealing the connections made with people, places and things.

Enjoy the second Artists Guild exhibition of 2025, on view in the Gadsden Arts Center & Museum’s Bates Community Room through June 7, 2025. On display is artwork by Jan Austin-Hicken, Douglas Bondurant, Deborah Bullock, Michael Burchfield, Anthony Butkowski, Amy Cober, Kathy Ferrell, Ellen Fournier, Theresa Francisco, Thomas Friedman, Debbie Gaedtke, Echo Kidd Gates, Sal Guastella, John Isaacs, Stan Kitching, Sandra Lipner, MJ Lord, Kristin Manos, Janice Ecinja McCaskill, Hui Chiu McClure, Michele Moffett , Kent Putnam, Jill Quadagno, Linda Rabon, Maria Renzulli, Ann Robinson, Stephen Bennett Smith, Debra Spitler, Karen Stewart, Mary Liz Tippin-Moody, Georgia Turner, Amy Von Chamier, Lisa Waxman, and Erika Zambello.

Image: Michael Burchfield, Emily’s World, 2021, oil

Joel Thornton
September 12 – December 12, 2026
Munroe Family Community Gallery

Joel Thornton, a Tallahassee-based artist, brings together a vibrant body of work shaped by many years of dedicated practice and ongoing artistic study. Born in Fajardo, Puerto Rico, Thornton discovered his love of painting in his youth, guided by his mother, who inspired him to create and cultivated his passion for the arts. After setting aside painting to build a career and raise a family, Thornton rediscovered his passion for painting. His paintings span portraits of both iconic figures and people from his everyday life, animals, and vibrant landscapes, all unified by his expressive use of color, attention to form, and deep interest in storytelling.

Image: Joel Thornton, Butch Cassidy and the Sundance Kid, 2022, oil, 20 x 24 inches

We invite you to the exhibition “Friendly Arbitration: Honoré Daumier on Crime, Justice, and Punishment” on view at MoFA until Saturday, December 12. Friendly Arbitration examines Honoré Daumier’s (1808–1879) subversive use of lithography and wood engraving as tools for artistic innovation and social critique in nineteenth-century France. Bringing together original prints from his popular series on lawyers, the legal system, and crime and punishment, the exhibition explores how his satirical caricatures challenged judicial authority, exposed social inequities, and helped reshape the fields of art and journalism.
This exhibition is made possible through the generous support of Jay Steele & Matthew Wright.