Feb 28 Saturday
Discover a remarkable selection of paintings, drawings, and sculptures by pioneering American women artists in this Major Exhibition from the Huntsville Museum of Art – Sellars Collection. The exhibition highlights the achievements of women artists who painted and sculpted during the mid-19th to mid-20th centuries, offering a captivating glimpse into a pivotal period in American art history.
Image: Agnes Millen Richmond, A Young Friend, 1922, oil on canvas
A special Founder’s Collection exhibition will share early Art in Gadsden works of art now found in private collections, and the stories that go back to the earliest days of Gadsden Arts.
Water Ways: Indigenous Ecologies and Florida Heritage, opening in September 2025, uses “way” to explore how routes and paths shaped by water have influenced cultural geographies, and the methods, manners, and styles—“ways” through which Indigenous communities have expressed their relationships with water.
The exhibition aims to cultivate a deeper awareness of Indigenous material cultures and ecologies in Florida, in conversation with global perspectives from the Americas and Asia. Water Ways also invites reflection on pressing environmental issues—including water access, ecological change, and climate resilience—by highlighting how communities have long understood and responded to the challenges of living with water. It will feature historical objects from regional collections and MoFA’s permanent holdings, alongside works by three contemporary artists—Wilson Bowers, Harold Garcia V (El Quinto), and Samboleap Tol—whose practices engage with themes of Indigeneity, hydrology, and heritage in Florida and beyond.
The Museum of Fine Arts is proud to present Akimbo, the first solo exhibition by Florida State University alumna, Zoë Charlton, in her hometown, Tallahassee. Bringing together personal history and collective memory, the exhibition reflects on the ways in which identity is shaped through place. In Akimbo, Charlton reveals how memories and experiences accumulate across time, layering themselves within the Tallahassee landscape.
At the heart of the exhibition is Paul Russell Road, a reimagined and meticulously crafted half-scale model of Charlton’s family home in Tallahassee. This upended house functions as a record of memory, an architectural tool that follows a blueprint informed by lived experience and historical recollection within this Southern landscape. In dialogue with the sculpture is Smokey Hallow, an animated film that evokes the vibrancy and loss of one of Tallahassee’s historic Black American neighborhoods during mid-20th-century urban renewal. Through evocative motion referencing the construction of homes, accompanied by natural and industrial sounds, Charlton develops a parallel record across different media. Together, these works operate as material and immaterial archives, mapping the intertwined histories of people, the built environment, and the landscapes that hold them.
49th Southern Watercolor Society Annual Juried ExhibitionFebruary 20 – April 25, 2026Explore stunning watercolor paintings by talented Southern artists in the 49thSouthern Watercolor Society Juried Exhibition. Since 1975, the Society hascelebrated watercolor as a vital art form. Enhance your visit with a guidedtour for an inside look at the techniques, inspiration, and stories behind someof the works. Tours are included with admission—call (850) 627-5023 toreserve your spot today!Image: Chris Krupinski, Take a Cutie to Lunch
On January 29, 2026, at 5:30pm, you are invited to the opening reception of “Like everything alive that we try to hold forever,” an exhibition that brings the work of seven artists together to reflect on ways that our human bodies exist in relation to non-human objects.Through photography, sculpture, and video, the artworks in “Like everything alive that we try to hold forever” start to navigate the many issues that come with being human. Refreshments will be provided. The reception is free and open to the public. You can park for free in the Call Street Garage after 5:00pm. The exhibition will be on view until June 27, 2026.Like everything alive that we try to hold forever is curated by Elizabeth Diggon, Naomi Potter, and Shauna Thompson. The exhibition is organized by Esker Foundation and produced as a traveling exhibition by Independent Curators International (ICI). Funding for the exhibition tour has been provided by the generous support from ICI’s International Forum and the ICI Board of Trustees.Artists Include:Larry Achiampong & David Blandy (London, United Kingdom)Diane Borsato (Guelph, Canda)Stephanie Dinkins (Brooklyn, NY)Bridget Moser (Toronto, Canada)Sondra Perry (Perth Amboy, NJ)Miya Turnbull (Halifax, Canada)
Mar 01 Sunday
Mar 02 Monday