Community Calendar

Water Ways: Indigenous Ecologies and Florida Heritage, opening in September 2025, uses “way” to explore how routes and paths shaped by water have influenced cultural geographies, and the methods, manners, and styles—“ways” through which Indigenous communities have expressed their relationships with water.

The exhibition aims to cultivate a deeper awareness of Indigenous material cultures and ecologies in Florida, in conversation with global perspectives from the Americas and Asia. Water Ways also invites reflection on pressing environmental issues—including water access, ecological change, and climate resilience—by highlighting how communities have long understood and responded to the challenges of living with water. It will feature historical objects from regional collections and MoFA’s permanent holdings, alongside works by three contemporary artists—Wilson Bowers, Harold Garcia V (El Quinto), and Samboleap Tol—whose practices engage with themes of Indigeneity, hydrology, and heritage in Florida and beyond.

The Museum of Fine Arts is proud to present Akimbo, the first solo exhibition by Florida State University alumna, Zoë Charlton, in her hometown, Tallahassee. Bringing together personal history and collective memory, the exhibition reflects on the ways in which identity is shaped through place. In Akimbo, Charlton reveals how memories and experiences accumulate across time, layering themselves within the Tallahassee landscape. 

At the heart of the exhibition is Paul Russell Road, a reimagined and meticulously crafted half-scale model of Charlton’s family home in Tallahassee. This upended house functions as a record of memory, an architectural tool that follows a blueprint informed by lived experience and historical recollection within this Southern landscape. In dialogue with the sculpture is Smokey Hallow, an animated film that evokes the vibrancy and loss of one of Tallahassee’s historic Black American neighborhoods during mid-20th-century urban renewal. Through evocative motion referencing the construction of homes, accompanied by natural and industrial sounds, Charlton develops a parallel record across different media. Together, these works operate as material and immaterial archives, mapping the intertwined histories of people, the built environment, and the landscapes that hold them.  

Join The Grove Museum on March 11th for children's storytime!

We will be reading "The Coastal Dune Drama: Bob, the Gopher Tortise" by Katherine Seeds Nash on March 11th at 10 AM. Storytime will be followed by an activity, and we encourage families to bring a picnic lunch to enjoy on the museum's grounds following the program.

The program is FREE and open to the public! Storytime at The Grove is recommended for children ages 8 and younger.
Parking is located at 902 N Monroe St.

Water Ways: Indigenous Ecologies and Florida Heritage, opening in September 2025, uses “way” to explore how routes and paths shaped by water have influenced cultural geographies, and the methods, manners, and styles—“ways” through which Indigenous communities have expressed their relationships with water.

The exhibition aims to cultivate a deeper awareness of Indigenous material cultures and ecologies in Florida, in conversation with global perspectives from the Americas and Asia. Water Ways also invites reflection on pressing environmental issues—including water access, ecological change, and climate resilience—by highlighting how communities have long understood and responded to the challenges of living with water. It will feature historical objects from regional collections and MoFA’s permanent holdings, alongside works by three contemporary artists—Wilson Bowers, Harold Garcia V (El Quinto), and Samboleap Tol—whose practices engage with themes of Indigeneity, hydrology, and heritage in Florida and beyond.

The Museum of Fine Arts is proud to present Akimbo, the first solo exhibition by Florida State University alumna, Zoë Charlton, in her hometown, Tallahassee. Bringing together personal history and collective memory, the exhibition reflects on the ways in which identity is shaped through place. In Akimbo, Charlton reveals how memories and experiences accumulate across time, layering themselves within the Tallahassee landscape. 

At the heart of the exhibition is Paul Russell Road, a reimagined and meticulously crafted half-scale model of Charlton’s family home in Tallahassee. This upended house functions as a record of memory, an architectural tool that follows a blueprint informed by lived experience and historical recollection within this Southern landscape. In dialogue with the sculpture is Smokey Hallow, an animated film that evokes the vibrancy and loss of one of Tallahassee’s historic Black American neighborhoods during mid-20th-century urban renewal. Through evocative motion referencing the construction of homes, accompanied by natural and industrial sounds, Charlton develops a parallel record across different media. Together, these works operate as material and immaterial archives, mapping the intertwined histories of people, the built environment, and the landscapes that hold them.  

Join us for the 4th annual D'Alemberte & Palmer Lecture in International Human Rights with this year's speaker Mark F. Brzezinski, Retired United States Ambassador (Sweden '11-'15 and Poland '21-'24), and President and CEO of Brzezinski Global Strategies LLC. Ambassador Brzezinski will speak on the topic of "U.S. Embassies as 'Force Multipliers' for Democracy and Human Rights: The Case of Poland 2021-25."

Thursday, March 12, 2026 at 3:30 p.m. EDT
Florida State University College of Law

The D’Alemberte & Palmer Lecture in International Human Rights is made possible by Patsy Palmer, Esq., and was established to educate the community about the critical field of international human rights, inspire FSU Law students, and contribute to the global discussion on human rights issues.

This event is free and open to the public. CLE will also be available.

RSVP Here: https://fsu.qualtrics.com/jfe/form/SV_3P0N8USkpUbtSzY
Learn more at law.fsu.edu/d&p

Water Ways: Indigenous Ecologies and Florida Heritage, opening in September 2025, uses “way” to explore how routes and paths shaped by water have influenced cultural geographies, and the methods, manners, and styles—“ways” through which Indigenous communities have expressed their relationships with water.

The exhibition aims to cultivate a deeper awareness of Indigenous material cultures and ecologies in Florida, in conversation with global perspectives from the Americas and Asia. Water Ways also invites reflection on pressing environmental issues—including water access, ecological change, and climate resilience—by highlighting how communities have long understood and responded to the challenges of living with water. It will feature historical objects from regional collections and MoFA’s permanent holdings, alongside works by three contemporary artists—Wilson Bowers, Harold Garcia V (El Quinto), and Samboleap Tol—whose practices engage with themes of Indigeneity, hydrology, and heritage in Florida and beyond.

The Museum of Fine Arts is proud to present Akimbo, the first solo exhibition by Florida State University alumna, Zoë Charlton, in her hometown, Tallahassee. Bringing together personal history and collective memory, the exhibition reflects on the ways in which identity is shaped through place. In Akimbo, Charlton reveals how memories and experiences accumulate across time, layering themselves within the Tallahassee landscape. 

At the heart of the exhibition is Paul Russell Road, a reimagined and meticulously crafted half-scale model of Charlton’s family home in Tallahassee. This upended house functions as a record of memory, an architectural tool that follows a blueprint informed by lived experience and historical recollection within this Southern landscape. In dialogue with the sculpture is Smokey Hallow, an animated film that evokes the vibrancy and loss of one of Tallahassee’s historic Black American neighborhoods during mid-20th-century urban renewal. Through evocative motion referencing the construction of homes, accompanied by natural and industrial sounds, Charlton develops a parallel record across different media. Together, these works operate as material and immaterial archives, mapping the intertwined histories of people, the built environment, and the landscapes that hold them.  

Midtown Reader is excited to welcome New York Times bestselling author Lisa Unger to Tallahassee as she talks about her wickedly clever new novel, Served Him Right, a mystery thriller full of revenge, secrets, and jaw-dropping twists.

Served Him Right is classic Unger. The story begins with a group of girlfriends at a brunch where they’re celebrating a breakup. Everyone’s toasting good riddance to the lousy ex-boyfriend when the cops show up. Turns out the lousy ex-boyfriend has been found in a shallow grave in the nearby woods. All eyes are on the disgruntled girlfriend. But of course, she wasn’t the only one with an axe to grind... This is a juicy, twisty slow burn of a whodunnit and a delicious takedown of toxic masculinity. It’s smart, twisty, has a great cast of characters and is irresistibly feminist.

Water Ways: Indigenous Ecologies and Florida Heritage, opening in September 2025, uses “way” to explore how routes and paths shaped by water have influenced cultural geographies, and the methods, manners, and styles—“ways” through which Indigenous communities have expressed their relationships with water.

The exhibition aims to cultivate a deeper awareness of Indigenous material cultures and ecologies in Florida, in conversation with global perspectives from the Americas and Asia. Water Ways also invites reflection on pressing environmental issues—including water access, ecological change, and climate resilience—by highlighting how communities have long understood and responded to the challenges of living with water. It will feature historical objects from regional collections and MoFA’s permanent holdings, alongside works by three contemporary artists—Wilson Bowers, Harold Garcia V (El Quinto), and Samboleap Tol—whose practices engage with themes of Indigeneity, hydrology, and heritage in Florida and beyond.