'The First' Is A Human Mission To Mars, With A Focus On The Humans
Back in the '70s, when Sean Penn was a teenager and his dad, director Leo Penn, was working in television, Leo got Sean small roles in a few shows, including a pair of episodes of Little House on the Prairie. But since becoming a movie star, Penn hasn't starred in a TV project — until now, when he headlines a new, eight-hour drama series called The First, launching Friday on Hulu.
And "launching" is the most appropriate word. Not only because Hulu, which rolls out most of its original shows, like The Handmaid's Tale, in weekly installments, is making all of The First available at once — but also because it's a fictional drama about space exploration, set in the near future of the 2030s.
The First is all about the quest to launch the first manned spaceship to the planet Mars. Even more, it's about the people who have decided to design or go on that mission — and their loved ones affected by that decision.
The First is created by Beau Willimon, who adapted the British miniseries House of Cards for Netflix, and stayed with it for four seasons. Now, working with Hulu and Great Britain's Channel 4, he's produced a new drama series, whose characters are much more noble than venal.
The characters in The First -- from the astronauts and engineers to the visionaries and politicians — are more like the White House staff in Aaron Sorkin's NBC drama The West Wing. Even when they don't always do the right thing, they try to — and while they have flaws, they do their best to overcome them.
That's important in The First, because character is what this drama series is really focused on — not the science fiction aspects, which are done superbly but subtly. All slightly futuristic gimmicks, like self-driving vehicles and eyeglasses that share videos, are presented without calling attention to themselves. This is, after all, only about 15 years in the future. And the spaceflight aspects, which you might presume would dominate this series, actually only bookend it.
Instead, the core of The First is the relationship between Penn's Tom Hagerty, a veteran astronaut and still-grieving widower, and his estranged daughter Denise, played by Anna Jacoby-Heron.
Denise has kept her distance since the death of her mother, and fallen in with a bad crowd and into some serious drug abuse. But when a space launch not involving her father is covered on television, she returns home unexpectedly, in pretty bad physical and emotional shape, to visit him for the first time in a long time.
The gulf between them is wide and deep, and The First explains it slowly — at the midpoint of this series, there's an entire episode devoted to an extended series of flashbacks, featuring Melissa George as Tom's wife. Images, paintings and other hints all start coming into sharper focus then — and the slow reveal of the psychology behind all of these characters, is what's most important in The First.
Willimon and his team of writers and directors explain things at their own deliberate speed, playing with time and with visuals to make things more clear — but in small doses. It's like watching HBO's Sharp Objects or AMC's Better Call Saul.
And since those are two of my favorite TV shows this year, that means I highly approve of The First. It's about a mission to Mars, yes, but in this case, it's not the destination that counts. It's the journey — and the people involved.
Penn, for one, is a revelation here. Most of the time, he's a raw nerve, burdened by both his professional and personal responsibilities. But his reactions, for the most part, are held firmly in check. You don't often see or hear his pain and grief, but you constantly feel it.
The actress playing his daughter holds her own impressively. The other major players include Natascha McElhone, from ABC's Designated Survivor and Showtime's Californication, who plays a private-sector space-race investor, and LisaGay Hamilton, from ABC's The Practice and from House of Cards, who plays another astronaut. All of these characters have motivations, problems, and families — all of which are explored, just as deeply as outer space.
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